Some of the most compelling scenes include previously unseen concert and backstage footage from Houston’s 1999 European tour, which would become her last major worldwide venture of such scope. For perhaps the first time but certainly not the last time in her career, Whitney asked, “ can I be me?” It was Davis who steered Houston away from R&B and soul and toward a more “mainstream” sound, designed to appeal the broadest possible audience. Whitney Houston is seen as a girl in a photo from “Whitney. By then, everybody knew about Houston’s demons.īroomfield circles back to Houston’s childhood in New Jersey, giving us archival footage of an adolescent Whitney singing in church and telling the story of how she was guided to early stardom by her domineering mother, singer Cissy Houston, and then Clive Davis, the controlling mastermind of Arista Records. The news of Whitney’s death was stunning, but not shocking. ‘Can I Be Me’ ” begins at the end: a 911 call from the Beverly Hilton in 2012, after Houston was found dead in a bathtub at the age of 48.
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Because we know about Houston’s lifetime of troubles, from the tumultuous relationships to the family fractures to the years spent battling addictions.ĭirected by Nick Broomfield, architect of sometimes salacious but admittedly very watchable documentaries about Kurt Cobain and Courtney Love Biggie and Tupac Hollywood madam Heidi Fleiss, and serial killer Aileen Wuornos, among others, “Whitney. ‘Can I Be Me’ ” is a nearly joyless and melancholy piece of work.īecause we know how it ends. For all the beautiful and lovely music Whitney Houston gave us, for all those soaring notes she hit, the documentary “Whitney.